Couture usually lives behind a rope. For Summer 27, Pierpaolo Piccioli has taken Balenciaga’s out of the atelier and put it on denim, leather jackets and a sneaker that has given up holding its shape.

Byzantine, Art Deco, almost Brutalist: Anthony Vaccarello takes Saint Laurent through eight golds for Summer 2027, then switches the lights off with black.

For Spring/Summer 2027, Domenico Dolce and Stefano Gabbana raid the family palazzo rather than the archive, letting a grandmother’s lace collide with a niece’s ripped denim — and finding, in that friction, the house’s most convincing argument yet for what inheritance actually looks like.

Tod’s opens its Fall/Winter 2026/27 campaign not on a runway but in a garden, at Villa San Martino in the hills of northern Italy, with three models draped over a burgundy 1960s Jaguar E-Type as though the shoot were an excuse to linger outdoors a little longer.

Ralph Lauren closed out Milan Fashion Week with a two-act show that put Purple Label and Polo Ralph Lauren on the same runway.

OBJECTS There is something quietly surreal about Prada’s latest Days of Summer campaign. Against expanses of golden sand, familiar city skylines rise unexpectedly in the background, creating a dreamlike collision of metropolis and shoreline. The result is a world that feels simultaneously real and imagined—an urban beachscape that could only

There are bags you carry. And then there are bags that carry something of you — your pace, your mood, the particular rhythm of a Tuesday afternoon or a long weekend away. Delvaux, the oldest fine leather goods house in the world, has always understood that distinction. Since 1829, the

There are men who chase destinations. And then there are men who understand that the journey itself is the point. Hackett London’s Spring/Summer 2026 campaign, shot against the vast, sun-bleached landscapes of the Al Qudra Desert near Dubai, makes that distinction beautifully clear. With David Gandy as its ambassador, the