Rolls-Royce refines its landmark electric super-coupé for a new era of commissioning, sharpening its performance and expanding its possibilities as a canvas for Bespoke.

Bell & Ross’s latest round of novelties doesn’t pick a lane, and mostly gets away with it.

Cartier’s new campaign puts Tilda Swinton in five bejewelled animal heads and leans into a century of panthers, tigers and crocodiles. The interesting part isn’t the concept, it’s what it took to make a ring’s jaw actually bite shut.

27 June, 2026 There’s something fitting about Audemars Piguet timing its latest Royal Oak Offshore drop to summer — this is, after all, the watch that earned the nickname “The Beast” back in 1993 for being too oversized, too brash, too much. More than three decades later, that defiant spirit

There is something enduring about the simple geometry of a sphere. Repeated endlessly, it becomes rhythm rather than decoration — a form that catches light not dramatically, but continuously. In Van Cleef & Arpels’ latest Perlée collection, these delicate golden beads create a kind of quiet radiance, one that feels less trend-driven than instinctively timeless.

At this year’s Watches and Wonders Geneva 2026, many brands leaned heavily into spectacle — larger complications, louder aesthetics and increasingly theatrical demonstrations of technical prowess. H. Moser & Cie., however, took a more nuanced route. Across its latest releases, the independent Swiss manufacture explored something more tactile and emotionally resonant: watches designed not merely to impress, but to be experienced.